PERSONAL WORK

Most of the things I shoot in my spare time are a product of random wanderings, eye-catching light, or some weird creative process I fancy trying out like double exposure, expired films, sandwich printing, cross processing, and so on.

There's nothing quite like the clickity-click of a proper SLR, and the mystery of not knowing exactly what will come out. There's magic to be found in a print floating in a dev bath, an ice cold wash sink, and emerging mole-like from the darkroom clutching soft grey moments on paper.